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8 La Storia Jacob de Haan Set of Clarinets .pdf

Nombre del archivo original: 8 - La Storia - Jacob de Haan - Set of Clarinets.pdf
Título: La Storia.mus
Autor: Kristal

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LA STORIA
(Jacob de Haan)
Film music is usually written to match the action in a scenario.
Sometimes the opposite is true as is proved by Jacob de Haan’s piece
La Storia. Written for creative musicians and audiences, the listener is
given the opportunity of making up his own story to fit the music,
without even the restriction of composer’s comments

LA STORIA

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Andante 

Clarinet in B  1




Clarinet in B  2




Clarinet in B  3




Clarinet in B  4




Clarinet in B  5

 



Bass Clarinet






B  Cl. 1

B  Cl. 2


















Arr. by Gino Gonçals

 


 


 
  

 

 
  

      













 








 




 







 

B  Cl. 4



B  Cl. 5



B. Cl.



 



 


  




















     




         







B  Cl. 3




 








 



©Gino Gonçals








   






   






Allegro 

molto ritenuto.



  



  

 

       

       

  


A

2




























B  Cl. 1





B  Cl. 2





B  Cl. 3





B  Cl. 4


                        
               
   

B  Cl. 5



B. Cl.



B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.





LA STORIA








 




               



 




 











  




    


 

 



     

     























     
   


     


 






   



 

  







        









      














                                 
               
   
       
 

               
 



   







     
 




       


       







      






B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.



     


 

    


   

 


     



   


   



        
       
   



  
   
        
  




   





 
     

 
    




       


   







   


   



    
   


   


  



       

  
   



 




  
 





       



     



        
       
 

3

LA STORIA

 

 






        




   





   




     
   


 

     











       



 




   










         

 

  
   















     



  
 



     
   


 

     









 


 

 







 



 


  


 

 









LA STORIA
B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

  


 

    


  

 



 



B

       







 


 


 


 


 


 


 




 






    




    

      



    










 

         
 



          

        













4

       


   

 


 


 


 


 


 


 




 

         


a la CODA 


        

a la CODA 


               



a la CODA

a la CODA



    
   
a la CODA  


    
a la CODA  

      
 
 


    



 



C
         

    
 


    
 



 






 

    
    

     
 




5

LA STORIA
B  Cl. 1

 

    

 

  

B  Cl. 2

 

 




 

B  Cl. 3

 

    



 

B  Cl. 4

B  Cl. 5

B. Cl.

 
  

    


 
   



 



B  Cl. 1

     

B  Cl. 2


    

B  Cl. 3

 

B  Cl. 4



B  Cl. 5



B. Cl.








 

   


 

              

  
         

        
  



     


 
 


 


  


 3
  


 3

  
 
3

 

3

     

 
3

3

3

3

3

3

     

 
     

 3   3 

      
      


 





 

D




 
 




   

 

 








    

                



               


               




  
 







  
 







LA STORIA
B  Cl. 1

B  Cl. 2

      
 
    



        
     


B  Cl. 3

   

       



 

B  Cl. 4



        



 

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

    



  



     
 
    




 



  






      
 

         


      
      



 

B  Cl. 4



        



 

B. Cl.

    



   





 



  












          


       





          

    


   
 

     



      

        


      

    

B  Cl. 3

B  Cl. 5

6

   



   









 





  









    
 

         

      






       





    
    




   



   



E

 






     


   
 

   
 


 
 

  
 


 
 



   

   

    
    

    

B  Cl. 1

  



B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



    
   
 

            

 

          
 
 

   



       


   


 

   
 
   


 
       
















7

LA STORIA


         

 

Larghetto 

         

 













   




















































 
F

 

      
         

           
 



    
 



















        
 
 
 
   


     
  



  
   














 


  



  
   
    
 

    
 




     
  




         





LA STORIA

B  Cl. 1

B  Cl. 2

B  Cl. 3





B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



 
 














    
 
    
 

8


 




 

  










  











































































  
 



  
 

 
      



  
  

    

 

  


                                   

















 






G



  



  
      






   

























 
 

  

                          













9

LA STORIA
B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.


 

 

 


 
























 
      



 





      
    









   

   



 



 



 


 
 
 
 

H

 

 










   



 
 


 

   
    

  
   





























                       







  
 
  
 

  
 

  
 


 

 




 



   


 


   
   
  
    









   

   





         
         
   
                       



    










 




 












 






LA STORIA

10

B  Cl. 1

 











B  Cl. 2

 











I

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

J



   
  



   
  

  
   
  
   

           
                              
                              
     
 










 








 










 
       




 

   
  
   
  

  
   

   
  

 
  






 




















B  Cl. 3

                       
                              

B  Cl. 4

                              
                 

B  Cl. 5

B. Cl.

 










 









 


 




 








 


  






B  Cl. 1



B  Cl. 2



B  Cl. 3

B  Cl. 4








  
  



  
 











  



  
 




  
 

  
 

                        
     


B. Cl.



B  Cl. 2



11

     
                        

B  Cl. 5

B  Cl. 1

LA STORIA



 
  







  
 

 

  
 






 

K

              
   
 
     



 



  





  






  
 



  
 


 






     
 

     
 
 

B  Cl. 3

     
     
                        

B  Cl. 4

                        

B  Cl. 5

B. Cl.

       

   
 




 

          
   
 














 




 


     
           

Allegro  128

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

LA STORIA




  
molto ritenuto.

 
                  
        


                 
  
 




 

















               
 


           


   




 




   

 



  







     
 

           
 


12







           


           


           

           










  

 
        




        












 al Coda 



  

D.S. al Coda 

   
D.S.

D.S. al Coda
                         



 



D.S. al Coda 




                               

       
D.S. al Coda 




    
             





       





D.S. al Coda 



             
     
 









B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

 a la CODA
    
    
 


 a la CODA
       
  
 
a la CODA
        
 

 a la CODA

         

 a la CODA

       
   
 
 a la CODA


        
 
   


 

 









 








 

 

 





































LA STORIA

 
 


    



   










        







 











  
  

    


    


  
 





   





  
       








   

   


     






     



     






     






     








































 

 

 






 

 

 








rallentando

     



Andante expressivo 

  

    


13


 

 

 





LA STORIA
B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4



L
























 

 
   



   



  



  




14


















 

 

 






 






 







 


  



 
   


 








 








     





        












                                     

   
   
      
      
         

           

B  Cl. 5



B. Cl.











      



       








         





      



       

        




 

 




LA STORIA
B  Cl. 1





B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

















          

 
         



     



 







 
 

    


     







 





  



M

 




  





 





  
   



  




  







 





 


                
 







 
   


 

 













          






15







 

 



 

  






 

 




        






  






LA STORIA
B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4





N




    



      



     



  




          

         



  

   



    

   


 
 




 


  



16



     






    













         
       
 
    



























   



    

     



B. Cl.







  


  
    

   


   
    



     


     
 

B  Cl. 5







    


 



    
  




 




   

     


     




 


  


     


 

 

  





 




  









 




 






B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.


 
           

    






   










 
















      
 

B  Cl. 1



B  Cl. 2




 

 

B  Cl. 3


  

B  Cl. 4



B  Cl. 5



B. Cl.
























LA STORIA

O

17



       





      




 

                





 
   

      





    


        
 


                





 





                






 




3

    

      
                 

3



       
    






   




 




                     





 



 
 
 
 







B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

    

     



LA STORIA

    

                 




         

         










     

 

 
 


   
     

 


 





          









molto ritenuto.

3







      




 


3





















18








LA STORIA

Clarinet 1ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals


                       




Andante 







Allegro 
         molto
  ritenuto. 
 


A
















  







    
   


   
 
    


  
 
    




 



 B
             
              
                





  

a la CODA 

             

 

























 
 






  
C










      



  

                       

3


 3

D



  
            
      


    



 
 
 







                 Larghetto
E










     
   
    
 
     
 
 
  










       
 

        



         
  
 

 




        

 



 

                    

G


              
 

 
F



©Gino Gonçals

      
 

           
   




LA STORIA

     H               


  


      

   

     


     


 

I

2

 




J
   

 




            



    


Allegro
  128
                   




     
                


molto ritenuto.

 CODA
D.S.  al Coda 
     







 
  
               



 

 




   
    
 
Andante expressivo 
  




 
     
 








 




rallentando
L
 M
                

















   


K

            




N

   




   


 
      




           


      









             



O

       
      


        











 
      
      





       

molto ritenuto.








LA STORIA

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)

Andante 

 

 


 


    

     






Allegro 

   


    
C

      







 





           

  
  





  





 

















      



molto ritenuto.

      

 

Jacob de Haan

Arr. by Gino Gonçals

 


    





    


             


   






A

   


    


    





    


             


   



a la CODA

 











   


B





   



3

3



    
 
 
 
  
 
                                                  

D

Larghetto 
E
                                   




 

 
 
    





  


 







 

      
          



  

 





    

F


                

  

   
  
©Gino Gonçals



G

    

 




  
  

 
    

H

  
 


LA STORIA

2

 

                                          
I

J

  
                                          
      
      
K

                                             

molto ritenuto. 
D.S. al Coda  CODA
        


                       

 




Andante expressivo 
L


  



  
  
            
   
   


    

Allegro  128

rallentando

 
  

            
      

 M

                   



N
 







               
     

 
    






               



                 


       



       


 
                 

            
 





         
 

      
3







       

O







  
  

 

molto ritenuto.














LA STORIA

Clarinet 2ºB 
Andante 









 
  

molto ritenuto.






 
    
  

   



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)







     



   







 



Allegro 

 


 

   
   



     




     




A

       




  

     











   
          


 


B

C
  
          a la CODA






























    
         


Arr. by Gino Gonçals




  










  
    

   





 

             D             
 




3
3



                                              







                 









       

 



 

 


E

Larghetto 



 


F
              
 

 



         

        
 

          
 

 



   

G



      
        

 















   

H
   
                       








 

   

         



©Gino Gonçals

LA STORIA
I

   

                            
  

  

J


         


        

K


        


                      




 CODA
D.S.  al Coda 
        



 
      

Allegro  128














 

   





2

  


   

            
molto ritenuto.

 
                     
      
      
        


rallentando


                     

 M










               
  





     



       
  
    
   


Andante expressivo 
L





                                         

 O
  
  






    


     



                
 






 






N

                  



          

molto ritenuto.

3






LA STORIA

Clarinet 4ºB 

Arr. by Gino Gonçals

Andante 

 


Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



   

Allegro 
































                        

                molto

ritenuto.
A

                                              
   
   
               
   
       


                                            
       
   
       
   
       
   
                      
   

       
   


C
a la CODA 




          
       



B

       





   
 



   

     



     































   



           

3

3

D








                                               
   




 
 











     



Larghetto 

E






  
  


 

F

G



 




 




 





 



 


    
 

©Gino Gonçals



 
 




 









   



LA STORIA

2

H

                                    

I

                                    
           
J

                                    
           



K

                                  
 

molto ritenuto.



                        


D.S. al Coda   CODA



        






       
Allegro  128

 






    
 

 
    










 




 

              
 



 







  

 




 


  

                



          
  
 

O

    
 


Andante expressivo 






                           


 




 



        






 


 








         





  


  
 



M

 




3


  

molto ritenuto. 3

    




  



      
L

 





       



                    



                 



     rallentando

 

     
 

N

 



 

      











LA STORIA

Clarinet 5ºB 

 

Andante 



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



Allegro 

















A

Arr. by Gino Gonçals







molto ritenuto.





  





     
   
       

                       







 
 
     

       
       
     
   
               
 








       
   
   
       
   


C
a la CODA 







  

    
    
    






B

  




      

      

   

 



    



3

3








     


     
  


D

        
        
 
        
 

     

     








E
  Larghetto
 
    
   
   



















  
  
 
 








F



  
    

 

G












 

H

           
  




 



 
    




    
I

 

©Gino Gonçals

 





 
 







   






          

J

LA STORIA

       


 

2


 
    
    


    

      
         

                                      
     


K

                   








D.S.  al Coda   CODA



        






       



 








 




    
 








N







    
 


Andante expressivo 






 




 




    

 


 




       








   
            






    




 
  




 


    
    


 

Allegro  128

molto ritenuto.











      
  rallentando

   
   


 


 




  

L




       











     



M





 





          


  


        


         





 

O





   


       

   
 

molto ritenuto.



  




 











LA STORIA
(Cover of Clarinets, Aragón, S.XXI)

Clarinet Bass

Jacob de Haan
Arr. by Gino Gonçals




Andante 

  



   

Allegro 

  


      

 
 




  






  

A








 


 



 

    



   





  




  












  


        











   




   



   

molto ritenuto.



  






   





       


 


B

a la CODA 


 





      









   
   
   
      



C

      

      

      

      






















D


        
 
   
         

  

 
     







E

  Larghetto
   



      
     
  
      










 


   


 





3









 
 

3


                                 

 
 
 
 
F

                                         










                           














G

©Gino Gonçals

LA STORIA

2



                                    







   

I

J

H




  




    





  
                        








                
                

molto ritenuto. Allegro  128


    
 
 



  
         



     


  CODA
    
            D.S. al Coda


  

 








 

 
 




  




 
Andante expressivo 



    




 
             
     
        rallentando 

L
 











                       



  







                         
  

K





M







  

   


 


  



  






 



N
  
   
























































      
     


O





 



      

      
   





     

      



         
     


molto ritenuto.












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